Canadian soprano Barbara Hannigan opens this album with a reminder, in no shy terms, of what a stupidly seductive vocalist she is. She flits, warbles and giggles through Berio’s high-wire Sequenza III from 1965; she has a way of making everything just float. The novelty of this release is that it is Hannigan’s first as a conductor as well as a singer, and though her fierce musicianship is never in doubt – she coolly leads the Amsterdam-based Ludwig Ensemble through Berg’s tough Lulu Suite and Gershwin’s Girl Crazy (in a new suite arranged by Bill Elliott) – the ensemble playing doesn’t match the rapture and agility of her voice. That would be a tall order. Even in the Gershwin, which to my ears doesn’t suit her as well as previous recordings of Satie, Hans Abrahamsen or George Benjamin (it needs more bulk, less shimmer), her effortless style is bewitching.
