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The Guardian - UK
The Guardian - UK
Entertainment
Kate Molleson

Bacewicz: Chamber Music CD review – tactile and gritty

Fearless … Grażyna Bacewicz.
Fearless … Grażyna Bacewicz. Photograph: Zborski/Fotonova

Polish composer/violinist Grażyna Bacewicz summed up her music as “aggressive and at the same time lyrical”. She was right – try the 1949 Quartet for Four Violins, with its fearless dashes from bruising dance to sparse elegy and back again. The piece is tactile and gritty; it was meant for teaching, but never in a dry way. A handful of decent recordings in recent years have bolstered an interest in Bacewicz’s feisty compositions, and this disc led by pianist Diana Ambache fills in more chamber music gaps.

Unshakeable … pianist Diana Ambache.
Top-notch playing … pianist Diana Ambache. Photograph: Zborski/Fotonova

There’s the eerie Trio for Oboe, Harp and Percussion and the brilliantly dense, scurrying Quartet for Four Cellos. All the other works in the programme (folk dances, a theme and variations) show evidence of what a spirited violinist Bacewicz herself was. The sound of the recording has a homemade grain to it but the playing is top-notch, with violin duties shared out between David Juritz, Victoria Sayles, Richard Milone and Charlotte Scott, and Ambache unshakeable at the piano.

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