A major controversy recently surrounded a well-known comedian after he posted an AI-generated image on social media showing a prisoner in a Holocaust concentration camp. The comedian, Michael Rapaport, shared the image on a social media platform, which depicted a person playing a violin at Auschwitz. The post gained a lot of attention, receiving nearly 9,000 likes and 1,200 shares.
The Auschwitz Memorial and Museum in Poland quickly identified the image as fake, created by artificial intelligence. The museum strongly criticized the comedian’s actions, stressing that sharing fake, AI-generated images of Auschwitz is a dangerous distortion of history.
The image shows a bunch of concentration camp prisoners walking together. One of those prisoners is playing a violin. While the image, found by TMZ, looks pretty real, it’s overall obviously fake because the violin playing seems out of nowhere.
Michael Rapaport under fire over fake concentration camp photo
The museum stated that such fabrications show deep disrespect to the victims and harm their memory. They urged social media users not to share such posts and instead to rely on the museum’s official sources, where all information, including names, photos, and stories, is carefully based on thorough historical research and a strong dedication to the truth.
Along with the AI-generated image, the comedian’s post included a 134-word backstory, which the Auschwitz Memorial and Museum also confirmed was completely made up. The Memorial pointed out several factual errors and historical inaccuracies in the story.
It wouldn’t be the first time a celebrity made an issue around the holocaust or that survivors spoke up, but this one was to spread a false narrative. One major mistake was the misspelling of a name. The backstory mentioned a character named “Henek,” but the Memorial explained that the correct spelling is “Heniek,” a shortened form of the Polish name Henryk. The Memorial also noted that the story did not include a last name for this character, even though it suggested he was a famous musician and survivor. Normally, a full name would be necessary for historical accuracy in such cases.
The Memorial also corrected the part of the story about the orchestras at Auschwitz. The comedian’s backstory claimed that orchestras played “while men, women, and children were marched to their deaths.” The museum clarified that the orchestras mainly played when prisoners were leaving for work or returning to the camp. This difference is important for understanding the harsh realities of daily life and death in the concentration camp system.
Another issue the Memorial highlighted was the idea of a girl walking past the men’s orchestra. The men’s orchestra performed inside the men’s camp, making it very unlikely that a girl would have walked by as described in the comedian’s story. While these details might seem small, they contribute to a false portrayal of the camp’s strict and brutal structure.
Despite the clear criticism and detailed corrections from the Auschwitz Memorial and Museum, the comedian’s post was still up on the social media platform at the time of reporting. It kept receiving comments and shares from users who apparently believed the content was real, further proving the museum’s concerns about the spread of false historical information. The Memorial’s criticism focused on the deep disrespect for victims and the dangerous way such AI-generated content and fake stories twist historical truth.
