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The Guardian - UK
The Guardian - UK
Entertainment
Lyn Gardner

Attached review – Swedish clowns spar and soar in lovable show

Highs and lows … Attached by Magmanus.
Highs and lows … Attached by Magmanus. Photograph: Sabine Burger

The Swedish duo Magmanus get themselves into some very sticky situations, often involving Velcro, in this utterly lovable circus-cum-clowning show that invokes the great comedy double acts, particularly of the silent era, and throws some high-skill acrobatics into the mix.

The show plays neatly on the duo’s rapport and the physical difference between the man mountain that is Massimiliano Rossetti and the small, lithe Manu Tiger, highlighting the cooperation and competitiveness that are often part and parcel of any relationship. When Rossetti tries to detach himself from Tiger, he does so with a force that sends the smaller man skittering across the stage before he rebounds straight back into Rossetti’s arms. There is also something of the meanness of the playground in the way Rossetti invites us to pelt Tiger with Velcro tennis balls and we gleefully collude.

The light-touch audience participation is one of the pleasures in a piece that works on several levels. It is a thoroughly entertaining family show and a metaphor for any relationship in which collaboration is required and in which emotional neediness, self-interest and selfishness sometimes get in the way. Rossetti’s strength serves no purpose unless Tiger utilises it to make himself taller and more nimble; Tiger would be unable to show off his acrobatic skill without Rossetti’s willingness to help. They are stuck with each other for good or ill and there is a deadpan joy in the tiny ways they constantly renegotiate this relationship.

Watch a trailer for Attached

The low-key, DIY aesthetic adds to the charm, leading to a human Mouse Trap!-style finale that takes a little long to set up, but demonstrates that circus doesn’t necessarily need lots of equipment to deliver the thrills.

It may look like just a couple of young men messing about, but this is a cunningly constructed piece that constantly surprises, in its physical prowess and danger and its willingness to excavate the highs and lows of being a double act – whether acrobatic or in everyday life.

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