Art Spiegelman writes: "A dim-witted busboy in a beatnik coffee shop yearns to be an artist so he too can score with the chicks. Before becoming a multiple murderer he tries his hand at sculpture, flailing desperately at a lump of clay while muttering: Be a Nose! BE A NOSE!!!
"This moment in Roger Corman’s 1959 horror cheapie, A BUCKET OF BLOOD, is the most accurate evocation I’ve ever seen of my creative process." Photograph: Art Spiegelman/Atlantic BooksCover design for RAW, the magazine Spiegelman started with his wife, Françoise Mouly.Photograph: Art Spiegelman/Atlantic BooksDetail from The Passion of St Sluggo by Art Spiegelman & Charlie Burns, 1983Photograph: Art Spiegelman & Charlie Burns/Atlantic Books
Detail from sketchbook abandoned in June 2008Photograph: Art Spiegelman/Atlantic BooksArt Spiegelman writes: "My best drawings have often been on stray scraps of paper, falling somewhere between unconscious doodles and focused drawings ... I don't keep most of them, though my wife curates and files the ones I leave around when I use her phone."Photograph: Art Spiegelman/Atlantic BooksArt Spiegelman writes: "On scraps of paper the pressure to perform is gone and the results throb with a life I just can't hold on to in my 'finished' art."Photograph: Art Spiegelman/Atlantic BooksFrom "Drawn Over Two Weeks While on the Phone", "a stab at harnessing my doodling impulse to my comics" which was eventually published in the first issue of RAW.Photograph: Art Spiegelman/Atlantic BooksFrom sketchbook abandoned in June 2008. Photograph: Art Spiegelman/Atlantic Books
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