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The Guardian - UK
The Guardian - UK
Lifestyle

Arles photography festival 2011 – in pictures

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Enrique Metinides, Untitled Regis Hotel, Centro Historico, Mexico City (1985)
Metinides is a modern-day Weegee, one of the first to reach scenes of tragedy and disaster moments after they have happened. This image captures the Regis hotel following the Mexico City earthquake of 19 September 1985
Photograph: Courtesy of the artist
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Enrique Metinides, Untitled Torreo Stadium, Mexico City (1971)
"I wanted to know what death was like," admitted 45-year-old Antonio N after two rescue workers coaxed him out of jumping. Metinides made it in time to snap one of the rescue workers, arm outstretched, talking the man down
Photograph: Courtesy of the artist
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Graciela Iturbide, Chalma, Mexico, 2008
Both moody and moving, Iturbide's black and white landscapes redefine the atmosphere of Mexican photography
Photograph: Collection Fondation MAPFRE
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Graciela Iturbide, Jano, Ocumichu, Michoacan, Mexico (1980)
This portrait of an eccentrically dressed citizen pays homage to the surrealist work of Iturbide's master – Manuel Álvarez Bravo – who was an acclaimed national photographer during the Mexican revolution
Photograph: Collection Fondation MAPFRE
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Manuel Ramos (1874-1945), Pancho Villa on the presidential chair, on his left Emiliano Zapata (December 1914)
This image depicting two leading figures from the national revolution of the early 20th century is featured in the Mexico: Photography and Revolution exhibition at Arles
Photograph: Collection Fundacion Televisiva, Collection Manuel Ramos
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Unknown photographer, Destroyed Railway Track in Chihuahua, Mexico (1912)
This realist picture is an early example of artists capturing scenes of accidents or disasters. Enrique Metinides drew upon this and other similar shots as inspiration for his work
Photograph: Collection Fundacion Televisa
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Maya Goded, from the series Welcome to Lipstick (December 2009)
For her Welcome to Lipstick project Goded spent time photographing a well-known zone of prostitution on the border of Mexico and the US
Photograph: Rencontres Arles
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Dulce Pinzón, from The Real Story of the Superheroes
Pinzón shows Mexican immigrant workers in New York, who work long hours for low wages, as superheroes. Here, Maria Luisa Romero becomes Wonder Woman. Romero works in a Brooklyn laundrette and sends $150 home every week
Photograph: Rencontres Arles
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Dulce Pinzón, from The Real Story of the Superheroes
José Rosendo de Jesús, from the state of Guerrero, works as a union organiser in New York. He sends home $700 a month
Photograph: Rencontres Arles
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Daniela Rossell, Harem (2002), from Ricas y Famosas
Relatively new to the scene, Rossell's glamorous scenes have caused a stir in a country that has a backdrop of slums. This shot is deliberately vibrant and seductive
Photograph: Courtesy of Greene Naftali Gallery, New York
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Jo Ractliffe, On the Road to Cuito Cuanavale III (2009)
The artist's grisaille landscapes are a brilliant evocation of violence and forgetting, shot in Angola
Photograph: Courtesy of Michael Stevenson Gallery, Cape Town
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Rut Blees Luxemburg, New York (2010)
Rut Blees Luxemburg was nominated for the 2011 discovery award. Her series Black Sunshine meditates upon urban life, in a manner that appears dreamlike
Photograph: Rut Blees Luxemburg and Galerie Dominique Fiat, Paris
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Chris Marker, from the series Passengers (2008-2010)
This project saw Chris Marker capture the actions and expressions of commuters on the Paris metro
Photograph: Chris Marker / Courtesy of the artist and Peter Blum Gallery, New York
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Mark Ruwedel, Dog House #4 (Palm Springs) (2005)
Ruwedel's collection shows images of kennels seemingly stranded in desert landscapes
Photograph: Courtesy of the artist, Gallery Luisotti, Santa Monica, and Yossi Milo Gallery, New York
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Yann Gross, Martin Rohrer, Illarsaz (2005)
Travel photographer Yann Gross took this image as part of his series Horizonville, which in large part draws attention to a community of German country folk who pay tribute to American culture among the vast European landscape
Photograph: Courtesy of the artist
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