Born in Swansea of Ukrainian descent, the outstanding young soprano Natalya Romaniw was singing – stunningly – the title role of Puccini’s Madam Butterfly at English National Opera when Covid-19 restrictions forced the abrupt termination of the run. She should also have performed the title role of Dvořák’s water nymph, Rusalka, at Garsington Opera this summer, where she made an impact in Tchaikovsky’s Eugene Onegin in 2016 and Smetana’s The Bartered Bride last summer. Disappointing for her at this turning point of her career, and for her growing number of fans.
Romaniw’s new album, Arion: Voyage of a Slavic Soul – dedicated to the memory of her Ukrainian grandfather, “my great musical inspiration”, explores repertoire by the Russians Tchaikovsky, Rimsky-Korsakov and Rachmaninov, and the Czechs Dvořák, Janáček and Novák. The pianist Lada Valešová captures the varied colours of the piano writing expertly, an equal and supportive partner. These 28 songs, especially the folk-rich examples by Janáček and Novák, suit Romaniw’s generous, big-toned voice, its timbre flecked and speckled with character and emotion. The eight songs by Dvořák grouped as Love Songs, Op 83, melancholy and lyrical, make us even more impatient to hear her Rusalka when the time comes.
