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The Guardian - UK
The Guardian - UK
Entertainment
Peter Bradshaw

Annabelle: Creation review – same old devil doll, same old cliches

Annabelle: Creation
Bumps in the night … Annabelle: Creation. Photograph: Warner Bros/Kob/Rex/Shutterstock

Yet another tiresome film in the formulaic and metastasising devil-doll horror franchise that started with The Conjuring and its sequel The Conjuring 2, notionally inspired by real-life paranormal investigators Ed and Lorraine Warren. Annabelle: Creation is, heartsinkingly, a prequel to the prequel that was Annabelle (2014), which gave the glassy-eyed Victorian doll from The Conjuring its own backstory.

Now we are back in some sub-Little-House-on-the-Demonic-Prairie era, with Anthony LaPaglia playing Mr Samuel Mullins, a doll-maker in a huge house in the midwestern middle of nowhere. It’s a profession that he makes as utterly silly and unbelievable as it sounds.

Miranda Otto is stuck with the role of simpering wife and mom to their little girl who meets a tragic accident, and whose tormented spirit is hijacked by the devil who uses one of the dolls to get a foothold on earth. Then the house gets used as an orphanage for girls for all ages. It’s the same old jump scares, the same old deafening audio stabs – the same old cliches and dull, lazy secondhand ideas.

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