Eva-Maria Westbroek plays the title role in Anna Nicole, Mark-Anthony Turnage’s opera about the doomed life of the Playboy modelPhotograph: Tristram KentonThe opera depicts Smith's career as a woman whose surgically enhanced figure became the object of worldwide fascinationPhotograph: Tristram KentonSmith died at the age of just 39 after an overdose; Turnage has said his aim was to create a story that morphs gradually into tragedy. The libretto is by Richard Thomas, co-creator of the equally upfront Jerry Springer: The Opera Photograph: Tristram Kenton
Designed by Miriam Buether, the opera replays Smith's life as a kind of garish cartoonPhotograph: Rex Features/Alastair MuirAs well as a full quotient of strippers, the opera – directed by the flamboyant Richard Jones – features black insect-like creatures with cameras for headsPhotograph: ReutersOne of those cameras can be seen front of stage in the marriage scene, in which Anna Nicole marries 89-year-old oil billionaire J Howard MarshallPhotograph: Tristram KentonAlan Oke plays J Howard Marshall. "Turnage seems to have reverted to his old tricks with this flamboyantly vulgar and fabulously entertaining new work," wrote the Telegraph's critic, awarding it all five starsPhotograph: Tristram KentonThe New York Times's Anthony Tommasini called it "a weirdly inspired work, an engrossing, outrageous, entertaining and, ultimately, deeply moving new opera"Photograph: Tristram KentonOur Andrew Clements was less sympathetic, awarding the show two stars. "There are very few moments when the drama is driven by the music, when the cartoon-like scenes, with cliche texts and schoolboy humour, are given shape and purpose," he wrotePhotograph: Tristram KentonHe concluded: "Too little of this show seems necessary at all" Photograph: Tristram KentonBut the story might not be over just yet – according to some reports, Smith's estate is considering legal action against the producers, calling the show 'sleazy' and complaining that the family were not consultedPhotograph: ReutersIn the meantime, it seems unlikely that the Royal Opera can lose, at least financially: the production has long since sold outPhotograph: Tristram Kenton
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