Alan Partridge: "A classic marching tune, albeit one with a jauntier gait than Stop The Cavalry by Jona Lewie, the pre-eminent song in the genre." Photograph: David Redfern/Redferns
Alan Partridge: "This song kicked butt in The Spy Who Loved Me. But don’t forget Carly also contributed Two Looking at One to the Karate Kid Part II soundtrack." Photograph: Redferns
Alan Partridge: "The bit when Susan Ann Tulley mutters ‘that much is true’ in response to Phil’s first verse reminds me of how my wife Carol used to undermine my anecdotes at parties. Still, decent beat." Photograph: Glenn A Baker/Getty Images
Alan Partridge: "I love the orchestral bit. But when the singers join in with their doo-doo-doos, you can almost hear them rolling their eyes and sniggering to each other, as if they think songs about horses are beneath them. Pretty unprofessional but there it is." Photograph: Dezo Hoffmann/Rex Features
Alan Partridge: "It’s a song that reminds me of a date when you’re over 50. It starts with a kiss but usually ends with a hot chocolate." Photograph: Fin Costello/Redferns
Alan Partridge: "Kate feels every word she sings, never more than in this song. There are times towards the end when you can actually hear the woman wuthering." Photograph: Fotex/Rex Features
Alan Partridge: "A classic piece of ‘techno’, in the days before techno featured rappers shouting about how much their watch cost. Once danced to this until my knees gave way." Photograph: John Rahim/Rex Features
Alan Partridge: "Shirley’s voice has bossy-boots quality that puts me in mind of Barbara Woodhouse. An iron fist in a sequined glove (Shirley not Barbara)." Photograph: Michael Ochs Archives/Getty Images
Alan Partridge: "I learned the words to this in a Derby hotel room after the film crew I was with said they’d meet me in the bar before dinner but then didn't. A genuinely fond memory, despite the idiots." Photograph: Michael Ochs Archives/Getty Images
Alan Partridge: "It says much about the enduring appeal of jet engine technology that Paul felt inspired to write this song some 43 years after they were invented. I’m a big fan of both jets and Jet." Photograph: Michael Ochs Archives
