Aintree Grand National meeting: day two - in pictures
Racegoers pose with the soldiers who guard the winners' trophies at the beginning of Ladies' DayPhotograph: Tom Jenkins for The GuardianLadies deliberate over the runnersPhotograph: Tom Jenkins for The GuardianA cascade of debris flies from the fence as Made in Taipan, ridden by Robbie Power, lags behind the fieldPhotograph: Tom Jenkins for The Guardian
A replica National fence makes for a photo opportunityPhotograph: Tom Jenkins for The GuardianApplying make-up between racesPhotograph: Tom Jenkins for The GuardianRuby Walsh rides Master Minded to victory at 9-2 in the John Smith's Melling ChasePhotograph: Tom Jenkins for The GuardianA gentleman takes a moment in the sun to check the listingsPhotograph: Tom Jenkins for The GuardianHorse guards on foot Photograph: Tom Jenkins for The GuardianIn the Topham Chase, Alfa Beat, ridden by Adrian Heskin puts a leg into the open ditch ...Photograph: Tom Jenkins for The Guardian... and comes crashing through the fence ...Photograph: Tom Jenkins for The Guardian... sending Heskin over the handlebars ...Photograph: Tom Jenkins for The Guardian... and tumbling to the turfPhotograph: Tom Jenkins for The GuardianAs the horse falls with him, Heskin keeps a firm grip on the reins ...Photograph: Tom Jenkins for The Guardian.. and assumes the position as the pack pass over himPhotograph: Tom Jenkins for The GuardianRace over, Adrian waits in a cab to be taken back to the weighing roomPhotograph: Tom Jenkins for The GuardianDoc Martens boots and a bottle of wine make for an unusual pairing of accessories Photograph: Tom Jenkins for The GuardianPunters queue to place their betsPhotograph: Tom Jenkins for The GuardianAn outbreak of impromptu dancingPhotograph: Tom Jenkins for The GuardianQuito De La Roque, with Davy Russell on board, battles ahead of Sarando after the final fence, winning the John Smith's Mildmay Novice Chase at 3-1Photograph: Tom Jenkins for The GuardianAs the crowd subsides, a sea of empty glasses reveals itselfPhotograph: Tom Jenkins for The Guardian
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