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The Guardian - UK
The Guardian - UK
Entertainment
Mike McCahill

Action Point review – Johnny Knoxville takes a renegade theme-park ride

Bearable? Johnny Knoxville in Action Point.
Bearable? Johnny Knoxville in Action Point. Photograph: Sean Cliver


Still no sign of that Adventureland sequel, but this week brings us a puzzling film in which 47-year-old Johnny Knoxville, in the guise of a renegade theme-park operator, gets to rag on millennials for their observance of basic health-and-safety codes. Cinema, like life, is rarely fair. If Knoxville’s Jackass movies were, for better and frequently for worse, everything they set out to be, Action Point looks very much like the kind of PG-13 rated compromise – gooey teen coming-of-ager, with stunts attached – which studio Paramount might have imposed on the Jackass doofi had producer-director Spike Jonze not had their back. Watching it is like travelling through a wormhole to a slightly crummier version of 2004.

The sense of a fading star looking over a repeatedly dislocated shoulder is underlined by the new film’s framing. Bookend scenes find Knoxville, in Bad Grandpa latex, reminiscing with a grandchild about the late 70s heyday in which his beat-up backwoods attraction’s fortunes were transformed when the rides’ speed limiters were removed. The upshot is an erratic run of skits, assembled with neither rhyme nor reason, in which Knoxville and loyal second Chris Pontius are knocked over, or have live squirrels introduced to their nethers, or chuckle at the sight of copulating dogs. Some of these – like an incident involving a siege catapult – are just blunt enough to force out a fleeting snicker; most yield frowns or uneasy grimaces.

Watch the trailer for Action Point

The surprise is that such a reactionary artefact should be credited to a director best associated with progressive British comedy. Tim Kirkby (Stewart Lee’s Comedy Vehicle, Fleabag) appears to have chiefly asserted himself by getting Sham 69 and The Undertones on to the soundtrack, thereby scattering traces of punk attitude amid the product placement and flagrantly insincere father-daughter bonding. Elsewhere, evidence suggests Kirkby could only go along with some questionable executive-level decisions, and then the ageing Jackass yahoos making mildly merry while trashing his set. Not good for much, all told, but there may be a lesson in here about the extent to which rowdy rabbles can ever be successfully appeased.

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