'Gory detritus of paint cans and pigment' ... Francis Bacon in his studio in 1980Photograph: The Estate of Francis Bacon/DACSA poultry page from a 1980 Conran cookbookPhotograph: The Estate of Francis Bacon/DACSLeft panel of Triptych, 1981-2, echoes the Conran cookbookPhotograph: The Estate of Francis Bacon/DACS
'These photographic fragments are part of Bacon himself' ... a review of dancer Marcia Haydée from 1978Photograph: The Estate of Francis Bacon/DACSMuriel Belcher at the Soho drinking clubPhotograph: The Estate of Francis Bacon/DACSSphinx: Portrait Of Muriel Belcher 1979 inspired by HaydéePhotograph: The Estate of Francis Bacon/DACSImages of classical sculpture fuelled Bacon's imagination for works such as Triptych 1973 of his lover George Dyer, painted only months before Dyer's suicidePhotograph: The Estate of Francis Bacon/DACSMichaelangelo's Samson and Two PhilistinesPhotograph: The Estate of Francis Bacon/DACS
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