The Latest Breaking News from Park Chanwook

The Independent’s chief film critic Clarisse Loughrey has rounded up her top 15 movies of the year – 12 months in which Paul Mescal was sad, Tilda Swinton was confused and Tom Hanks was incomprehensible

LOS ANGELES — We're still a couple of months away from Oscar nominations, but, outside of "Avatar: The Way of Water" and its glorious space whales, all the contenders have landed. Now it's just a matter of convincing voters to give them a look.

World-weary detective falls for sphinx-like widow in a murder case. Talk about the usual suspects! We have seen this setup once or twice.

A married detective contemplates infidelity in the Korean director’s seductive, multilayered crime drama

In this week’s newsletter: Martin McDonagh’s sad, funny Banshees of Inisherin has unexpected moments of true gruesomeness – just like every other hit these days

From The Host to The Handmaiden, here’s our top picks

South Korean director Park Chan-wook, conjurer of dark, sexually charged dreams such as “Oldboy” (2003) and “Stoker” (2013), gives us his most Hitchcockian effort to date. One of the music tracks is even entitled “Rear Window.” “Decision to Leave,” is a film noir about a young, married detective named Hae-jun…

This Oscars contender and Cannes winner breaks the rules around police procedurals and femmes fatales, while being ‘achingly romantic’ to boot.

The "Oldboy" and "Handmaiden" director delivers a romantic thriller that took Cannes by storm

At first glance — and it rewards several glances — "Decision to Leave" seems to tell the story of a police detective and the beautiful woman who upends his dull, well-ordered existence. It's a tale of impossible longing, the kind that can undo a marriage, ruin a career and send…

Long before Bong Joon Ho’s “Parasite” triumphed at the Oscars and “Squid Game” circled the globe, Park Chan-wook was astonishing worldwide audiences with his sumptuously stylistic, outrageously violent and devilishly elaborate vision of Korean cinema