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The Latest Breaking News from Guitarist

“It was not possible to get a left-handed Jazzmaster in this country. Fender told me, ‘You might as well be ringing Ibanez – we just don’t make them’”: Mike Vennart on the Squier Strats that are simply unbeatable – and why he hates acoustics

The former Oceansize and long-time Biffy Clyro touring guitarist on his love of off-the-beaten-path six-strings and why you've got to try before you buy

Guitar World

“He was like, ‘No, I want the other position.’ That’s where it became so acrimonious between us”: Francis Rossi opens up on the internal tensions between Status Quo’s two guitar greats

A decade on since Rick Parfitt's death, Rossi reveals how the Quo wasn't big enough for the both of them

Guitar World

“More than anything, I wanted to go, but I just froze”: Warren Haynes on the time he missed the chance to play with B.B. King

Haynes had witnessed the King play live years earlier – but when he first got the chance to jam with the blues icon, nerves got the better of him

Guitar World

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“B.B. asked to try a few licks on my guitar. He smiled and asked, ‘Why you working so hard?’” How B.B. King changed Billy Gibbons’ approach to guitar strings

When the King speaks, his subjects listen

Guitar World

“I was too young to get in. Then T-Bone Walker walked by and said, ‘Let me talk to ’em, son’”: When a 13-year-old Jimmie Vaughan was stopped from watching B.B. King play, another blues great came to his aid

Vaughan wanted to watch his guitar hero play live for the first time – and another hero saved the day

Guitar World

“Runs the gamut from boost through to fuzz-flavoured distortion”: Dinosaural Hypoid Drive review

Dan Coggins makes the drive section of his award-winning Cogmeister powerhouse available as a pedal of its own

Guitar World

“If you have a 16-bar guitar solo, please don’t turn into Yngwie Malmsteen orJoe Satriani”: Ian Anderson had some soloing advice for Jethro Tull’s new guitarist

No Arpeggios From Hell!? Denied! What the hopping flautist with the wild-eyed stare told Jack Clark when it came time to track leads for Jethro Tull's latest album, Curious Ruminant

Guitar World

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“Jim Irsay was so proud of having acquired this guitar. It was like the jewel in the crown of his collection”: Getting up-close with a $10m trio of guitars once wielded by Kurt Cobain, Eric Clapton and David Gilmour

The truly iconic guitars are due to go under the hammer at Christie's soon – and Guitarist got an exclusive look ahead of the sale

Guitar World

“The one thing that’s making it very hard in the industry – at whatever level – is that there’s just too much choice”: Lee Anderton on guitarists' changing tastes, and why it’s not all doom and gloom for guitar stores

The owner (and Captain) of legendary UK gear retailer Andertons gives us reason for optimism that the brick-and-mortar guitar store has still got some life left

Guitar World

“I didn’t need all the extra crap. Just give me a single-P-90 guitar and a Tube Screamer and I’m ready to play the Royal Albert Hall”: Jared James Nichols on why he took the Klon off his pedalboard and what players get wrong about drive pedals

Not everyone is expanding their pedalboards. Nichols explains why he prefers to keep it simple – and to leave the super-rare high-value pedalboard gold at home

MusicRadar

“The rest of the world didn't know that the world's greatest guitarist was playing a weekend gig at this place in Chelmsford”: The Aristocrats' Bryan Beller recalls the moment he met Guthrie Govan and formed a new kind of supergroup

As per Aristocrats lore, the power trio formed right after an impromptu jam at NAMM 2011

Guitar World

“We know for a fact that not all ’Bursts were great-sounding, but the surviving examples we played lived up to the legend”: I spent an evening with 7 original Gibson Les Paul ’Bursts from 1958 to 1960 – here's what I learned

There were two ’58s, an ex-Mick Taylor ’59; the exquisite ‘Minnesota’ ’59 ’Burst, and ‘Grainger’, too –but did a 1960 ’Burst made to ’59 spec steal the show?

Guitar World

“I didn’t start until I was 21. Most people I know were 13 when they had their first guitar”: Chris Rea, Driving Home For Christmas singer and slide guitar maestro, dies aged 74

The underrated guitar star blended blues, gospel, soul and more across 25 solo albums

Guitar World

“I had letters threatening me with death for getting Bert Jansch to play through an amp”: The life and wild times of Danny Thompson, the legend of upright bass who “brought greatness to everything he played”

The fabled upright acoustic bassist leaves us with a thousand tales of misadventure and an extraordinary body of music that weaves through the rock ’n’ roll era

Guitar World

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Guitar World

“We were told they’d all gone down. You’ll never see a house full of people get so quiet, it was pin-drop silence – eventually we found out Buddy and Eric were okay”: Veteran bluesman Larry McCray recalls the night Stevie Ray Vaughan died

The famed Strat wielder passed away at the age of 35 in a helicopter crash outside East Troy, Wisconsin

Guitar World

“Does it sound like a J-45? No. Instead, you get the impression that the instrument has been reimagined through the lens of a master craftsman”: Bourgeois Slope D Standard T/S review

The latest in Bourgeois’ Touchstone range has shades of Gibson’s J-45. Will it live up to expectations and carve a legendary niche all its own?

Guitar World

“A single-note solo played over just bass and drums runs the risk of sounding empty… The solution is to include some chord tones”: How to use triads in blues solos like Stevie Ray Vaughan and Jimi Hendrix

When you’re the only guitarist in the band, triads are your best friends in a guitar solo – and Hendrix and SRV were the masters

Guitar World

“They can show you what a guitar is about right away”: Wolfgang Van Halen names the 2 classic rock tracks he plays to test any electric guitar

Forget the forbidden riffs and the flashy taps. Wolfgang finds it's better to keep things simple...

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Guitar World

“I’ve picked up others… they were like a piece of plywood. But not this one”: Gary Moore’s iconic red Stratocaster sells at auction for more than $330,000

This was the Strat that Moore played during his legendary 2004 performance of Red House – when people dared say it was better than Hendrix

Guitar World

“People think you can just drop it a few times and drag it down the street… but it’s actually a really intensive process”: The art of relic’ing a Fender guitar – and why it’s harder than you think

Fender’s Chief Product Officer explains the science behind a relic job, and why for many players it’s the best chance they’ll get to own a lived-in guitar

Guitar World

“People talk a lot of poo about my tone. But it’s what I love and have loved since I was a kid”: Kiki Wong’s go-to amp at home is a budget combo everyone loves to hate

The cheap modelling amp is mocked by many, but it indirectly helped Wong get the biggest gig of her career

Guitar World

“Initially, Gary was very frosty. I said, ‘On this track, you used the “Greeny” Les Paul, didn’t you?’ And his eyes lit up”: Inside the final Gary Moore gear auction – from the amps behind his sound to the red Strat that unleashed his blues power

With the last of Moore’s guitars going under the hammer, we join Claire Tole-Moir of Bonhams and Neville Marten, former Guitarist editor and friend to Gary, to examine his extraordinary collection

Guitar World

“A guy offered me way more than I paid – it was too hard to pass up. I let it go and immediately regretted it”: Phil X on the guitars he’s loved and lost – and how Eddie Van Halen taught him to “enjoy and ruin” the instrument

The former session man turned Bon Jovi six-stringer dialled in with Guitarist totalk about his journey buying, selling, regretting and loving guitars

Guitar World

“Tony was a very successful professionalguitarist who played for Frank Sinatra... he designed this guitar with Les Paul”: Through a Dumble it sounds “like Madison Square Garden” and it’s totally unique – meet Tony Mottola’s 1968 Gibson ES-355TDR

Guitar World

“The sound that comes out of that speaker is just dynamite”: One of the main guitars on Biffy Clyro’s new album was a tiny Fender with a built-in speaker – which is also beloved by Tom Bukovac

The forgotten ’90s oddball was employed for some “cheap-sounding warmth” and sludgy goodness

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