Get all your news in one place.
100’s of premium titles.
One app.
Start reading
The Guardian - AU
The Guardian - AU
Lifestyle
Doosie Morris

‘It’s like they’re time travellers’: the peculiar portrait of an artist’s parents, bought by a friend

She says visitors are often ‘baffled as to why I would have photos of elderly people who aren’t my parents’, but Guthrie finds joy and comfort in Sanja Pahoki’s work.
Visitors are often ‘baffled as to why I would have photos of elderly people who aren’t my parents’, but Anna Guthrie finds joy and comfort in Sanja Pahoki’s work. Photograph: Penny Stephens/The Guardian

When Anna Guthrie was working at a Melbourne addiction treatment centre 20 years ago, she could hardly have guessed that a portrait of a colleague’s parents would become one of her favourite artworks.

Her co-worker was artist Sanja Pahoki, and at an exhibition in 2006, Pahoki’s curious triptych of her mother and father, titled Up in the Sky, seized Guthrie’s imagination.

“I just loved it from the moment I saw it. It’s the colours and the strangeness of the composition,” says Guthrie.

Pahoki’s parents were photographed in a deserted Federation Square, posing like tourists, and looking ominously into the sky above.

“They look enormous. There is no one else in the images – it’s like they’re the last survivors after the apocalypse, or time travellers.”

Portentous as they may be, Guthrie says she also finds the images strangely comforting.

This juxtaposition of tension and innocuous familiarity, Guthrie says is typical of the sense of humour and curiosity she shares with her friend. “She’s very drawn to celebrating the absurdity and mundanity of the everyday, and I’m right there with her.”

Triptych of an elderly couple in Melbourne’s Federation Square, looking at buildings and pointing at the sky
‘It’s like a Seinfeld episode about nothing’: the magical and the mundane collide in Pahoki’s work. Photograph: Penny Stephens/The Guardian

“We aren’t laughing at them,” Guthrie hastens to add. “Sanja genuinely sees her parents as muses … there’s a real reverence for them in her work.”

Visitors, she says, are “absolutely baffled as to why I would have photos of elderly people who aren’t my parents on the wall”. But the creative writer in her continues to be intrigued.

“It’s very hard to pin down how you feel when you look at it. It’s a mix of concern, intrigue and joy. It’s almost like a Seinfeld episode about nothing: there’s a lot of questions for sure, but it’s really compelling because of its ordinariness.”

Despite her 20-year friendship with Pahoki, she has never met her parents and hasn’t asked for any details about the inspiration or intentions behind the images. “I don’t ever want people to explain what their art is supposed to mean,” she says. “I think the important thing is that you make your own interpretation and that it gives you lots of ideas and stories.”

  • Sanja Pahoki’s work is part of the Light Sensitive exhibition at Melbourne’s Town Hall Gallery until 15 July.

  • Is there an artwork with an extraordinary story hanging on your wall? Email australia.lifestyle@theguardian.com with the subject heading “Wall Stories” to be considered for future columns.

Sign up to read this article
Read news from 100’s of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.